Naturally Monochrome: A Spontaneous 4-Mile Manchester Photo Trek
GEOMETRICMONOCHROMEBUILDING
I very nearly didn't go.
Looking out the window, the Manchester sky looked completely drab, the air was bitterly cold, and the threat of rain hung heavily overhead. While I am sure I could have put some effort into taking deliberately moody, bleak pictures of the city, it always requires a lot more creative heavy lifting. Besides, if the skies decided to open up, picture or no picture, cold and wet is simply not a fun combination when you're carrying camera gear.
Ultimately, I pushed past the hesitation, stepped out, and decided on a rough, completely unplanned route. I ended up walking just over 4 miles, weaving a massive loop through the Northern Quarter, past the Arndale, over to Manchester Cathedral, crossing into Salford by The Lowry Hotel, and then cutting back along the canals near First Street before heading to Piccadilly via Whitworth Street.
Then, I saw this building.
It immediately caught my eye—in fact, the way the light hit it was sort of blinding, so it was impossible to miss.
Despite how it looks at first glance, this is a full-color photograph. There are simply no discernible colors anywhere within the frame, leaving the image to exist purely as a sharp, striking gradient of deep blacks, industrial greys, and brilliant silvers. The winter sun reflects intensely off the metallic facade at the bottom left of the frame, blowing out into a clean, white glare.
To me, there is something almost unreal, perhaps even simulated, about the structure.
That eerie, futuristic quality comes from the absolute uniformity of the architecture, the perfect gradient caused by the sun's reflection, and the incredibly spotless exterior. There are no corporate signs, no visible specks of city dirt, and from this angle, no apparent furniture inside the offices. It is a completely sterile, beautifully pure grid.
As it turns out, the building is known as UA92 (University Academy 92, an higher education campus co-founded by Lancaster University and Manchester United's legendary 'Class of '92'). Whatever the letters stand for on paper, to a photographer, the building represents an incredible exercise in minimalism and stark geometric patterns. It is a refreshing, futuristic break from the traditional red-brick textiles of Manchester's past.
Artist's Note: Flat, overcast days act like a giant softbox in a studio—they eliminate shadows and turn the sky into a giant sheet of grey paper. While this is tough for traditional landscapes, it is a goldmine for abstract urban architecture. Because the ambient light is so diffused, highly reflective modern materials (like the glass and polished steel panels of the UA92 building) will fiercely catch and bounce whatever directional sunlight manages to break through. Look for tight, repeating patterns and fill the entire frame with them to strip away the real-world context and emphasize the abstract geometry.
